The Exegesis: Interpreting a dream of three worlds

The Exegesis of Philip K. Dick
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August – September 1977

Dick has a dream about a wall of beef, an electronic artifact and religious writing. He interprets this to mean the artifact stands for (1) an electronic construct, the beef stands for (2) nature and the religious writing stands for (3) the Logos. He compares the Logos to the punched computer roll in the chest of the robot Garson Poole in “The Electric Ant” and the ship’s computer in A Maze of Death which creates the false world. He follows this with some circular logic about how the three environments interact. He thinks we exist somewhere between nature and the electronic construct without being aware of it. Also circular is Dick’s tendency to look for clues to what happened to him in his own stories when he is the one who wrote them.

He speculates the Logos is the code that creates the electronic world, and he explains how he thinks it is possible to break through from one level to the next. He think Zebra in level 1 will invade level 3, but level 2 is necessary as an incubator of sorts for 1 to get there. Just as in Ubik he sees information from 1 breaking through into 2 as 2 becomes less real. Eventually 3 will absorb 2, and 3 and 1 will join together.

His vision of Rome in 3-74 was level 1 bleeding through 2 on its way to 3. He sums this up: realm 2 is being woven in to realm 3 which is a replication of realm 1 which is doing the weaving.